"vivAha" is an important samskAra in the Indian cultural tradition. It has many names:
- vivAha: "vi" vishesha vAchaka (that which is designated as special), "vaha" (to carry). So vivAha is the leading away or carrying away.
- pANigrahaNa - holding of hands and doing the sapthapadi (7 steps)
- pariNaya - the process of circumambulating around the sacrificial fire; pari-nayati is taking one around
- udhvAha - elevating one to the next level (similarly samudvAha, prOdvAha)
- dAraparigraha - taking on a wife
- vAdhukya - taking a vadhu (a vadhu is one who is like a boat that helps cross ocean)
- brahmacharya - celibacy, education, knowledge is the core objective. Knowledge enables one to move to the next levels. At this stage one is responsible for self - at an individual level. Here, one develops awareness of "dharma, artha, kAma, and moksha" at a theoretical level.
- grihastha - family, progeny, reproduction, lineage are the core objectives. One realizes the first three purushArthAs (purposes in life) - artha and kAma in the path of dharma. One becomes eligible for many "yajnas" through the process of getting married. Men add on an additional responsibility to their "three threads" of life. At this stage, one becomes responsible to the immediate family and adding responsible citizens to the society.
- vAnaprastha - in this stage one takes on social projects, responsibilities and mentorship. They pass on the household responsibilities to the next generation and take on advisory role and gradually step towards the most important purushArtha - mOksha.
- sanyAsa - this stage is marked by detachment and renunciation of material desires with primary focus on moksha, peace and simple spiritual life.
- braahma vivaaha: after completing the brahmacharya, the parents of the boy approach the parents of a girl and request the hands of their daughter in marriage to their son. Such a marriage arranged in this way is called brahma. The goal is dharmic advancement of two families. The dharmasastras regard this type of marriage as the highest.
- daiva vivAha: the marrying a girl to a rtvik (priest) during a sacrifice is called "daiva". The parents, in this type, after waiting in vain for a young man to turn up and ask for their daughter's hand, go looking for a groom for her in a place where a sacrifice is being conducted.
- aarsha vivAha: "arsa" suggests that it is concerned with the rsis, sages. A girl in this case is married off to a sage based on the parents' condition. Either the bride aspires to marry a sage, or the parents marry her off to a sage as they could not celebrate her marriage according to the brahma vivAha process.
- prajApatya vivAha: this does not involve the kanyadana process. Depending on the situation, the bride's father goes in search of a groom and offers the bride to the grooms father. This was also because the brides were married off at an young age, when even the groom was too young for pANigrahaNa.
- aasura vivAha: in this type, the girl's father or her relatives receive a good deal of money from the groom and is forced to marry him.
- gandharva vivAha:in this type, marriage happens upon mutual consent of the bride and the groom without following the vedic rituals. The bride and the groom exchange vows without the consent of the parents.
- rAkshasa vivAha: in this marriage, the groom battles with the girl's family, overcomes them and carries her away by force. Bride's consent may or may not be taken.
- paishAca vivAha: in this marriage, the groom marries off the bride by seducing or intoxicating her; the bride could be sleeping, mentally challenged or unconscious. This is considered the most inferior of all marriage types.
- Step 1: material comforts and pleasures
- Step 2: strength, vigor, power, energy
- Step 3: performance of vratAs; conduct, character, commitments, resolutions, promises
- Step 4: delight, happiness, peace
- Step 5: livelihood, prosperity, security, advancement
- Step 6: navigating through the seasons - of ups and downs
- Step 7: performance of yajnAs - the completion of responsibilities with submission to the Lord
Whether one uses rice or wheat or earth or whatever, the key is appreciate what each of these symbolizes.
The groom takes the bride along with him chanting a mantra at each step. The bride moves by keeping the right foot forward. After taking the seven steps the bride stands facing the east and the groom stands facing the bride and makes a few more promises. Following are the saptapadi mantraas:
Immediately after taking the seven steps, the groom stands facing the bride and proclaims the following (still holding the hands):
सखा सप्तपदा भव । सखायौ सप्तपदा बभूव । सख्यं तॆ गमॆयं सक्यातॆ मयॊषं सख्यान्मॆ मायोष्ठास्समयाव सङ्कल्पावहै संप्रियौ रॊचिष्णू समनस्यमानौ । इषमूर्जमभिसंवसानौ सन्नौमनांसि संव्रता समुचित्तान्याकरम् । सात्वमस्यमूहममूहमस्मि सा त्वं द्यौरहं पृथिवी त्वगं रेतॊऽहं रॆतोभृत्वं मनोहमस्मि वाक्त्वं सामाहमस्मि ऋक्त्वं सा मामनुव्रता भव पुंसे पुत्राय वॆत्तवै श्रियै पुत्राय वेत्तव एहि सून्यते ।